![]() Polyrhythmic percussion is an inherent part of African music, as melody is part of European music. It contributed not only to the development of jazz and salsa, but also to the Argentine tango, Ghanaian high- life, West African Afrobeat, Dominican Bachata and Merengue, Colombian Cumbia and Spanish Nuevo flamenco and to the Arabo- Cuban music (Hanine Y Son Cubano). Important among these are France (and its colonies in the Americas), and the United States.Ĭuban music has been immensely influential in other countries. One of the earliest is Ma Teodora, supposed to be related to a freed slave, Teodora Gin. There were few professional musicians at the time, and fewer still of their songs survive. He reported instruments including the clarinet, violin and vihuela. Hernando de la Parra's archives give some of our earliest available information on Cuban music. The great instrumental contribution of the Spanish was their guitar, but even more important was the tradition of European musical notation and techniques of musical composition. Chinese immigrants contributed the corneta china (Chinese cornet), a Chinese reed instrument still played in the comparsas, or carnival groups, of Santiago de Cuba. In addition, there are other percussion instruments in use for African- origin religious ceremonies. Endorsements Check out the New Real Book. Learn basics and fundamentals to playing salsa by ear, including the clave, montuno, 2-3, 3-2 phrasing, chord voicings, chord rhythms. Claves are still used often, and wooden boxes (cajones) were widely used during periods when the drum was banned. Also important are the claves, two short hardwood batons, and the caj. The African slaves and their descendants made many percussion instruments and preserved rhythms they had known in their homeland. There was also an immigration of Chinese indentured laborers later in the 1. Later, northern European forms like minuet, gavotte, mazurka, contradanza, and the waltz appeared among urban whites. European dances and folk musics included zapateo, fandango, paso doble and retambico. The music of Cuba, including its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European.Įxamples include rhumba, Afro- Cuban jazz, salsa, soukous, many West African re- adaptations of Afro- Cuban music (Orchestra Baobab, Africando), Spanish fusion genres (notably with flamenco), and a wide variety of genres in Latin America.It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz is the earliest form of Latin jazz.Contemporary and classic salsa, latin jazz and Brazilian music arrangements, exactly as recorded, to help your band play in authentic Latin styles.Cuban music has contributed to the development of a wide variety of genre and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa and Europe. It has been perhaps the most popular form of regional music since the introduction of recording technology. Almost nothing remains of the original native traditions, since the native population was exterminated in the 1. ![]() For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro- Cuban percussion and rhythms. The music of Cuba, including its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |